Department: Antwerp Research Institute for the Arts Let’s shape the future - University of Antwerp The University of Antwerp is a dynamic, forward-thinking, European university. We offer an innovative academic education to more than 20 000 students, conduct pioneering scientific research and play an important service-providing role in society. We are one of the largest, most international and most innovative employers in the region. With more than 6000 employees from 100 different countries, we are helping to build tomorrow's world every day. Through top scientific research, we push back boundaries and set a course for the future – a future that you can help to shape. The Antwerp Research Institute for the Arts in the Faculty of Arts is looking for a full-time (100%) postdoctoral researcher in media history, art history or cultural history. The candidate will collaborate in an interdisciplinary ERC project called “Science at the Fair: Performing Knowledge and Technology in Western Europe, 1850-1914”, coordinated by Prof. Nele Wynants. The EU-funded SciFair project will perform pioneering research on the role itinerant show people played in the circulation of information about scientific and technological advances at fairs in North-Western Europe between 1850 and 1914. For more information, see: www.scifair.eu. The successful candidate will work on the subproject Panorama, Diorama and Cosmorama: Performing History and Geography. This subproject will study how show people appropriated images from around the world and in what ways they contributed to a growing visual literacy amongst ordinary people across the social spectrum. Travelling entertainment ‘opened up’ the world to a distinctively broad population regarding the gradual globalisation of capitalism, imperial routes and new means of transportation, and the consequent unprecedented mobility of artists, materials and knowledge. Popular attractions such as panoramas, dioramas, cosmoramas, magic lantern shows and wax museums introduced people to pictures of faraway times and places, as well as international heroes both contemporary and historical. History and modernity often mixed in these spectacles, which featured historical monuments, legendary battles, and illustrated travel stories. While these displays were meant to exoticise and entice, they also familiarised audiences with certain tropes related to the world’s history and present, captured in particular visual strategies and supported by carefully scripted viewing experiences. Position
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